EU antitrust lawmakers kick off IoT deep dive to follow the data flows

The potential for the Internet of Things to lead to distortion in market competition is troubling European Union lawmakers who have today kicked off a sectoral inquiry.

They’re aiming to gather data from hundreds of companies operating in the smart home and connected device space — via some 400 questionnaires, sent to companies big and small across Europe, Asia and the US — using the intel gleaned to feed a public consultation slated for early next year when the Commission will also publish a preliminary report. 

In a statement on the launch of the sectoral inquiry today, the European Union’s competition commissioner, Margrethe Vestager, said the risks to competition and open markets linked to the data collection capabilities of connected devices and voice assistants are clear. The aim of the exercise is therefore to get ahead of any data-fuelled competition risks in the space before they lead to irreversible market distortion.

“One of the key issues here is data. Voice assistants and smart devices can collect a vast amount of data about our habits. And there’s a risk that big companies could misuse the data collected through such devices, to cement their position in the market against the challenges of competition. They might even use their knowledge of how we access other services to enter the market for those services and take it over,” said Vestager.

“We have seen this type of conduct before. This is not new. So we know there’s a risk that some of these players could become gatekeepers of the Internet of Things, with the power to make or break other companies. And these gatekeepers might use that power to harm competition, to the detriment of consumers.”

The Commission recently opened up a consultation on whether regulators needs new powers to address competition risks in digital markets, including being able to intervene when they suspect digital market tipping.

It is also asking for views on how to shape regulations around platform governance.

The IoT sectorial enquiry adds another plank to its approach towards reformulating digital regulation in the data age. (Notably competition chief Vestager is simultaneously the Commission EVP in charge of pan-EU digital strategy.)

On the IoT front, risks Vestager said she’s concerned about include what she couched as familiar antitrust behaviour such as “self-preferencing” — i.e. a company directing users towards its own products or services — as well as companies inking exclusive deals to send users “preferred” provider, thereby locking out more open competition.

“Whether that’s for a new set of batteries for your remote control or for your evening takeaway. In either case, the result can be less choice for users, less opportunity for others to compete, and less innovation,” she suggested.

“The trouble is that competition in digital markets can be fragile,” Vestager added. “When big companies abuse their power, they can very quickly push markets beyond the tipping point, where competition turns to monopoly. We’ve seen that happen before.  If we don’t act in good time, there’s a serious risk that it will happen again, with the Internet of Things.”

The commissioner’s remarks suggest EU lawmakers could be considering regulations that aim to enforce interoperability between smart devices and platforms — although Vestager also said they will be asking about any barriers to achieving such cross-working.

“For us to get the most out of the Internet of Things, our smart devices need to communicate. So if the devices from different companies don’t work together, then consumers may be locked in to just one provider.  And be limited to what that provider has to offer,” she said.

“We’re asking about the products they sell, and how the markets for those products work. We’re asking about data – how it’s collected, how it’s used, and how companies make money from the data they collect. And we’re asking about how these products and services work together, and about possible problems with making them interoperable.”

Vestager has raised concerns about the potential for voice assistant technology to lead to market concentration and distortion before — saying last year that they present an acute challenge to regulators who she said then were “trying to figure out how access to data will change the marketplace”.

The question of how access to digital data feeds platform monopolies has been a long standing preoccupation for the now second term competition chief. Although the Commission’s work on figuring out how data access changes marketplace function remains something of a work in progress.

Vestager has an open investigation into Amazon’s use of third party data on her plate, for example. It also inked a first set of rules on ecommerce platform fairness last year. More rules may be incoming in a draft proposal for reformulating wider liability rules for platforms that’s slated to land by the end of this year, aka the forthcoming Digital Services Act.

The Commission noted today that a prior sector inquiry — into ecommerce markets — helped shape new rules against “unjustified geoblocking” in the EU, although it has not yet been able to dismantle geoblocking barriers to accessing digital services across the Single Market’s internal borders.

Last year privacy concerns raised in Europe around how tech giants operate voice assistant ‘quality grading’ programs, which involved human contractors listening in to users’ recordings, led to a number of changes — including the previously non-transparent programs being publicly disclosed, and choice/controls being provided to users.

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Logitech’s new Mac-specific mouse and keyboards are the new best choices for Mac input devices

Logitech has released new versions of its MX peripherals in Mac-friendly finishes, as well as a new K380 wireless Bluetooth keyboard designed for Apple devices. These aren’t dramatically different devices from the existing versions that Logitech offers — but that’s a good thing in this case, and it elevates what were already amazing peripherals to no-brainer default choices for Mac users.

MX Master 3 for Mac

Image Credits: Darrell Etherington

The MX Master 3 for Mac is a very slightly altered twist on the MX Master 3 — consisting mostly of a new paint job that actually pretty closely resembles the old one. Specs are the same for the Mac-specific version, including its quiet scroll wheel with 1,000 lines per second maximum scroll speed, and Logitech’s MagSpeed tech that dynamically enables freewheel scrolling when you’re going fast.

The MX Master 3 for Mac ships with a USB-C to USB-C cord in the box instead of the USB-A to USB-C cable that comes with the non-Mac version, and that’s much more convenient for charging and using it dongle-free with modern MacBook computers. It can run for 70 days on a full charge, and you can get three full hours of use out of just 60 seconds of charge time. The mouse uses Logitech’s Darkfield laser tracking, which provides 1000 dpi on average of accuracy and the ability to track on virtually every surface, and it can also work across Macs and iPads with Logitech’s Easy-Switch technology for connecting to multiple devices.

In terms of major differences, the main one any owners of the MX Master 3 will notice is that the MX Master 3 for Mac is listed on Logitech’s website as only offering Bluetooth connectivity — and it doesn’t ship with Logitech’s Unifying USB receiver, which connects its peripherals via a dedicated RF network instead of Bluetooth for greater reliability. That’s odd, because the MX Master 3 for Mac definitely still works with Logitech’s Unifying Retriever, and that’s exactly how I had it set up, using the USB dongle that shipped with the MX Master Keys for Mac.

Image Credits: Darrell Etherington

This is noteworthy because Logitech is charging $129.99 for the MX Master 3 for Mac — the same as the non-Mac version, but it doesn’t include the receiver and bills itself as a Bluetooth mouse. It’s a bit of an odd choice, but if you’ve used Logitech gear over the years, you probably have an abundance of unifying receivers on hand, and the Space Gray colorway on the Mac version does match better with actual Mac hardware.

Performance-wise, the MX Master 3 for Mac is still one of the best full-size mice you can get. It’s extremely comfortable to use, features a healthy array of controls that are customizable with Logitech’s Options software and provides smooth, high-precision tracking, with the ability to use it while charging.

MX Keys for Mac

Image Credits: Darrell Etherington

Like the mouse, the Mac version of the MX Keys is mostly an aesthetic change. It’s also done up in Space Gray to match Apple’s colorway of the same name, and it features contrast-coloured black keys and a top bar that houses the wireless and battery electronics. The key layout also gets Mac-specific, ditching the hybrid key labeling of Logitech’s existing MX Keys for actual dedicated Command and Option keys, as well as a hardware eject key.

Also like the Mac Master 3, the MX Keys can work across devices, including those running macOS, iPadOS and iOS. It ships with a USB-C to USB-C charging cable (again, more convenient than the USB-A to USB-C one in the standard MX Keys configuration) and a unifying receiver. It’s also able to connect via Bluetooth, and can be connected to up to three devices with dedicated keys to switch between each.

The MX Keys is already probably your best choice for a third-party keyboard that offers great performance and key feel, unless you’re specifically into clicky mechanical keyboards. It includes smart backlighting that activates automatically when your hands approach, and turns off automatically when not in use to preserve battery life. While it’s made of plastic, it still feels heavy (in a good way), ensuring it’ll rest flat on your desk. Because it’s based on the MX Keys, I can also attest to its durability, as I’ve been using that keyboard since its launch and have not had any problems with it at all thus far.

Image Credits: Darrell Etherington

In terms of battery life, you can expect 10 days of use with the backlighting active — but if you go without the underlay lighting, it’ll stretch out to as much as five months. And as mentioned, it’s easy to charge up directly from your Mac with the included USB-C cable — which also allows you to use it while charging.

Logitech’s work on the color scheme here really does a good job of matching the look of Apple’s aluminum treatment, right down to the metal-like speckles on the Space Gray surfaces. If you’re already using an MX Keys, stick with it, but if you’re in the market for something new, this is the new best choice for a Mac user — at the same $129.99 price point as the original.

K380 Bluetooth Keyboard for Mac, iPad and iPhone

The K380 is a much more portable keyboard option, with rounded keys and a lighter plastic shell. It’s Bluetooth-only, but still offers the ability to connect up to three devices at once. The Mac version comes in either a white or pink version, and it features Mac-specific keys like the MX.

Image Credits: Darrell Etherington

It works across macOS, iOS and iPadOS, and can switch between each seamlessly, making it a great choice for working on the road with a setup that includes both a Mac and your iPad or iPhone. It’s powered by two AAA batteries (included), and is rated at around two years of use on a single pair.

The typing feel is a bit shallower than the MX series, but still impressive, and it’s near-silent, which makes it better for use in shared or busy spaces. It’s available now for $49.99.

Bottom line

Logitech hasn’t reinvented the mouse wheel with any of these products (it already did that with the MX Master 3’s original launch), but these are all welcome updates that make its hardware feel more at home with Mac and other Apple devices. Even Apple itself charges a premium for the dark-coated versions of its input devices, too, so it’s nice to see pricing stay the same along with the facelift.

If you’re in the market for new peripherals and don’t already own the MX series, these are obvious choices. Ditto the K380 for Mac if you want a durable, all-in-one keyboard to use across your devices that won’t add too much weight to your pack, and that looks and feels great.

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OpenCV AI Kit aims to do for computer vision what Raspberry Pi did for hobbyist hardware

A new gadget called the OpenCV AI Kit, or OAK, looks to replicate the success of Raspberry Pi and other minimal computing solutions, but for the growing fields of computer vision and 3D perception. Its new multi-camera PCBs pack a lot of capability into a small, open-source unit and are now seeking funding on Kickstarter.

The OAK devices use their cameras and onboard AI chip to perform a number of computer vision tasks, like identifying objects, counting people, finding distances to and between things in frame and more. This info is sent out in polished, ready-to-use form.

Having a reliable, low-cost, low-power-draw computer vision unit like this is a great boon for anyone looking to build a smart device or robot that might have otherwise required several and discrete cameras and other chips (not to mention quite a bit of fiddling with software).

Image Credits: Luxonis

Like the Raspberry Pi, which has grown to become the first choice for hobbyist programmers dabbling in hardware, pretty much everything about these devices is open source on the permissive MIT license. And it’s officially affiliated with OpenCV, a widespread set of libraries and standards used in the computer vision world.

The actual device and onboard AI were created by Luxonis, which previously created the CommuteGuardian, a sort of smart brake light for bikes that tracks objects in real time so it can warn the rider. The team couldn’t find any hardware that fit the bill so they made their own, and then collaborated with OpenCV to make the OAK series as a follow-up.

There are actually two versions: The extra-small OAK-1 and triple-camera OAK-D. They share many components, but the OAK-D’s multiple camera units mean it can do true stereoscopic 3D vision rather than relying on other cues in the plain RGB image — these techniques are better now than ever but true stereo is still a big advantage. (The human vision system uses both, in case you’re wondering.)

The two OAK devices, with the world’s ugliest quarter for scale. Image Credits: Luxonis

The idea was to unitize the computer vision system so there’s no need to build or configure it, which could help get a lot of projects off the ground faster. You can use the baked-in object and depth detection out of the box, or pick and choose the metadata you want and use it to augment your own analysis of the 4K (plus two 720p) images that also come through.

A very low power draw helps, too. Computer vision tasks can be fairly demanding on processors and thus use a lot of power, which was why a device like XNOR’s ultra-efficient chip was so promising (and why that company got snapped up by Apple). The OAK devices don’t take things to XNOR extremes, but with a maximum power draw of a handful of watts, they could run on normal-sized batteries for days or weeks on end depending on their task.

The specifics will no doubt be interesting to those who know the ins and outs of such things — ports and cables and GitHub repositories and so on — but I won’t duplicate them here, as they’re all listed in orderly fashion in the campaign copy. Here’s the quick version:

Image Credits: Luxonis

If this seems like something your project or lab could make use of, you might want to get in quick on the Kickstarter, as there are some deep discounts for early birds, and the price will double at retail: $79 for the OAK-1 and $129 for the OAK-D sound like bargains to me based on their stated capabilities (they’ll be $199 and $299 eventually). And Luxonis and OpenCV are hardly fly-by-night organizations hocking vaporware, so you can back the campaign with confidence. Also, they flew past their goal in like an hour, so no need to worry about that.

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Nanoleaf’s new Hexagon Shapes are a surprisingly lively and organic addition to your home decor

Nanoleaf essentially created a new smart lighting category with its connected light panels, and since then it has iterated with its pixel-like Canvas and, most recently, its new Shapes Hexagons. The Hexagons already seem to be proving popular with customers, as they’re currently waitlisted, but I got the chance to spend some time with them and have found them to be a unique, interesting and very pleasing addition to my home decor.

The basics

The Nanoleaf Hexagons don’t change the basic formula of Nanoleaf’s products: They’re individual light panels, which connect to one control unit that has a hardware controller and connects to the power supply. Each one has an electronic connector that snaps into a two-sided connection module that you can then use to connect another panel, in whatever configuration you desire. The panels attach to walls by way of 3M strips, which are pre-mounted on a plastic pad that makes it relatively easy to detach them from the panels for damage-free removal from walls, and replacement by using new 3M strips if you’re redecorating or changing things up. You can also optionally mount them with screws if you want a more permanent installation.

The panels come in a few different configurations, including a Starter Kit that includes seven panels ($199.99), add-on packs that contain three additional panels and larger packs, including 13 and 19-panel bundles. You can configure them basically any way you want — but if that sounds like too much freedom, Nanoleaf provides a number of preset configuration suggestions, and its app has an augmented reality feature that lets you mock up and preview different arrangements on your walls before installing. I ended up just free-styling with a rough idea of where I wanted the design to start and end in terms of height and width, and was very happy with the results.

Image Credits: Darrell Etherington

In terms of specs, each panel is very thin at only around 0.24 inches, and they measure roughly 9 inches by 7.75 inches. They each put out around 100 lumens of light, which is not going to replace an overhead light fixture, but which proves perfectly usable for actually supplanting entirely things like bedside lamps and mood lighting in other rooms.

Nanoleaf has made the Hexagon controllable in a number of ways, including via the hardware controller included with the base kit, through their mobile or desktop app and through smart assistants, with compatibility for Amazon Alexa, Google Assistant and Apple HomeKit — all of which proved convenient and user-friendly ways to interact with the panels in my experience. You can also touch individual panels to provoke a lighted response.

The Hexagons also include audio responsiveness, meaning they can react to sound. You can use the default programs included with the app, download user-created ones or make your own, both for sound-reactive modes and for configurations that just play back a set pattern. The sound-reactive modes work amazingly well with music played back through your home audio devices, and really bring the Nanoleaf Hexagons alive — lending an almost biological feel to the devices.

Design

Image Credits: Darrell Etherington

The individual Hexagon panels are each very lightweight and thin, but still feel sturdy and durable. They feature a lighted area that takes up nearly all of their surface, minus rounded corners at each point of the hexagon shape, to create a more organic look once they’re powered on. Each side of the hexagon features a receptacle for the connector clip on the back, allowing you to connect another panel to them and provide power and control through each. One controller unit can control up to 500 hexagons, so you shouldn’t ever really need more than one, and one power supply can provide power for up to 21 hexagons. Each can be snapped to any panel in your configuration for flexible positioning.

Nanoleaf’s original light panels are triangular, and they also created the square Canvas later on. The Hexagons have a honeycomb effect and are the most organic looking to my eye, with an ability to work with a wider range of decor, including softer, less industrial interior aesthetics.

The light emitted by each panel is even and bright, and can be tuned across the RGB spectrum. Whites ranging from warm to very cool can also be achieved with the panels for more general day-to-day use. The hardware controller allows you to cycle through some standard white presets, too, including Warm White (2700K), Reading Light (4000K) and Daylight White (5000K) — plus you can control it to essentially any temperature you want, as well as different colors, through the app.

Nanoleaf has come up with a very simple mounting solution that’s easy to do on your own. I had mine installed and configured in probably around 15 minutes today, once I’d worked out a rough idea of how I wanted to lay them out on the wall. I used a level to get the first panel plumb, but it’s not necessarily required, as the shapes look great even if they’re off-level relative to the room and surrounding objects.

Because of their modular nature, you can easily add more to your existing layout by picking up additional expansion packs, should you decide to grow your collection in the future. There’s enough play with the mounting equipment that you can snap one of the connectors in place behind previously installed panels to attach new ones.

Features

Nanoleaf has evolved their product since its introduction to include a wide range of built-in features, including ambient music modes that use audio to dynamically change the lighting on the panels. This is probably my favorite feature of the Hexagons, and the mode I use most often, especially because I’m often playing music via Sonos throughout the house on most days.

Image Credits: Darrell Etherington

The hardware controller is also a great option in case you want to skip the app features altogether and treat your Hexagons more like a traditional light source — with added flexibility. It allows you to turn the brightness up and down, power them on and off, and cycle through different stored patterns and sequences.

App-based control offers a much wider range of options, however. It provides access to a range of pre-installed scenes, including both standard dynamic ones as well as Rhythm modes (those that react to sound) and you can set scheduled events, including scene changes, and have them occur just once or repeat on whatever schedule you prefer.

A built-in scene creator allows you to fully customize your light show, panel-by-panel, and then save that and share it with the community as well. It’s a great way to get just the look you want, and combined with the scheduler, means you can ensure your setup is custom-tailored to exactly which colors, brightness and effects you’re looking for throughout the day.

Image Credits: Darrell Etherington

Bottom line

The Nanoleaf Hexagons are a terrific addition to the Nanoleaf lineup, and I think they’re the model that’s mostly likely to appeal to a much broader customer base when compared to the company’s existing options. I personally didn’t expect to be that big a fan of Nanoleaf in general — I’d never been more than mildly interested in their offerings before. But as soon as I powered on the Hexagon, I was amazed at how much I felt like they improved the aesthetics of the space.

Their Rhythm features feels like having a living, dancing electric decor element, and the general pattern and even ambient lighting modes are all very pleasant additions to any room that impress without feeling overly techy or overwhelming of other aspects of your home design and furnishings. They command a high price versus traditional lighting, but when you factor in their smart features, they’re a good value in terms of bringing something unique and highly personal into your home’s look and feel.

Currently, Nanoleaf is sold out of its initial pre-orders, but you can sign up to be waitlisted for when they become available again (the company expects new shipments to resume in August).

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Canon’s new R5 and R6 mirrorless cameras offer big video upgrades, bird eye autofocus and more

Canon has finally fully revealed its much-anticipated R5 and R6 mirrorless interchangeable lens cameras, and they look like very strong contenders for the field. The R5 is the new flagship of Canon’s mirrorless line, and it’s priced accordingly at $3,899 for the body alone. The R6 is its “affordable” sibling at $2,499 for the body alone, and still includes an impressive list of features, including some of the biggest autofocus system improvements common to the R5.

Workplace in a loft

The best Wi-Fi 6 home networking tech to upgrade your setup

Wi-Fi 6 is here — making its way to more and more devices, with a noteworthy inclusion on last year’s flagship iPhone 11 lineup. This next-generation Wi-Fi technology provides faster speeds for transferring data between devices, but more importantly, it also means your system will be better equipped to handle multiple Wi-Fi devices connected at one time, without slowdowns or interruptions — and it can even reduce battery drain in mobile devices.

The number of Wi-Fi 6 routers and mesh systems has definitely improved dramatically since the debut of the iPhone 11, and there are a range of options available at a variety of price points. But for those looking to get the most out of their Wi-Fi 6 setup, two available systems in particular can provide all the power you need, with two different approaches that will appeal to differing user needs.

Orbi AX6000 Mesh Wi-Fi System (starting at $699.99)

Image Credits: Netgear

Netgear’s Orbi lineup is a popular mesh option, and its latest AX6000 series offers Wi-Fi 6 networking in either a two- or three-pack configuration. Even the two-pack is able to cover a home of up to 5,000 square feet, Netgear claims, and it can support up to 2.5G internet connections from an Ethernet-connected modem.

The Orbi AX6000 includes Netgear’s X technology, which can optimize streaming and media connections for optimal performance. Both the base unit and the satellite include 4 Gigabit Ethernet LAN ports for hardwired connections, which means you’re less likely to need an Ethernet switch to connect all your gear.

In real-world testing, the AX6000 proved a remarkably reliable and far-reaching mesh system. I tested a two-device configuration, with one base unit and one satellite, and really saw the advantages of its range. In my testing, I was able to enjoy a consistent and strong Wi-Fi connection with the AX6000 as far as around 500 feet or more outside — useful in the situation where I had it installed in a lake house for reaching all the way down to a dock.

Orbi’s system can be managed from a mobile app, which provides an overview of devices attached, with detailed information available for each. You can pause and resume access for each connected device from the app, and also enable features like a dedicated guest network.

Netgear also offers a service called Armor that provides real-time threat detection and protection on your network. It’s a subscription service, with a limited free trial included when you first set up your Orbi system. In practice, it did seem to effectively detect and block phishing and malware connections, and it’s optional as an ongoing paid add-on.

The real strength of the Orbi system for me was that when I used it with a cellular-based network connection in a relatively remote setting, it dramatically improved performance. That was true even when I used it with my home fibre connection, which is a 1.5Gbps network, but it improved the much less reliable 50Mbps mobile connection so much that it went from relatively unreliable to fully reliable.

Netgear’s offering also offers a level of simplicity in terms of the app and network management that has advantages and downsides, but that is probably much better suited to casual or non-technical users. I found that it lacked some advanced options I was looking for, like the ability to separate 2.4Ghz and 5Ghz networks under separate network SSIDs to more easily connect some smart home devices, but that’s probably not a feature most users want or need.

AmpliFi Alien Wi-Fi 6 Router (starting at $379)

Image Credits: AmpliFi

The AmpliFi Alien router from AmpliFi, which is the consumer arm of commercial networking giant Ubiquiti, offers all the customization that an advanced user could want, on the other hand. The $379 device can act as a standalone tri-band router, or it can pair up with other Alient base stations (a two-pack is $699) to form a mesh network for greater coverage. Unlike the Orbi option, AmpliFi’s hardware doesn’t have dedicated base station and satellite units, meaning they can be swapped out as needed to set up different networks if you don’t need the mesh capabilities.

AmpliFi’s Alien in testing also offered excellent coverage, and worked extremely well providing access to the full capabilities of my 1.5Gbps finer optic connection. In long-term testing, their reliability has been impeccable in terms of network uptime, and AmpliFi has consistently and reliably pushed updates to improve their performance as well.

Building on their reputation for delivering the best in advanced networking through Ubiquiti, AmpliFi has also equipped the Alien with some impressive hardware specs, including a custom antenna array and a dedicated 2.2 GHz 64-bit quad-core CPU in each base station. That’s more computing power than you’ll find in some mid-range Android smartphones, all committed to the task of continually optimizing your network and device connections for maximum performance.

All that onboard intelligence doesn’t necessarily translate to complexity, however — AmpliFi is meant to be Ubiquiti’s more accessible consumer brand, and it stays true to that with its simple, app-based setup and control. The AmpliFi app is very user-friendly and well designed, and includes all the features you’d expect from a mesh networking system, including individual device views and controls, as well as rule creation and full stats reporting. You can also set up guest networking, and configure more advanced features like distinct SSIDs for different frequency networks.

The AmplifFi Alien also has a colorful, high-resolution display that provides at-a-glance information, including current network performance, signal strength and a list of connected devices. Both these menus and the in-app ones can get a little information dense compared to other options like the Orbi, however, which is why I think it’s a much better option for someone more comfortable with tech in general, and networking tech in particular.

The Alien system offers great expandability and flexibility (albeit with a cost, as each is $379) and amazing custom control features. It’s definitely the networking solution to beat when it comes to advanced at-home Wi-Fi 6 networking.

Bottom line

More and more Wi-Fi 6 options are coming to market as the technology shows up on more consumer devices, and as mentioned, you can also get them at increasingly affordable prices. But Wi-Fi 6 stands to be an investment that should provide you with many years of networking advantages, with more benefits accruing over time, so it’s likely worth investing money in a top-tier system that will provide future-proof performance.

Both the Netgear Orbi system and the AmpliFi Alien offer terrific performance, easy setup and a host of great features. Orbi’s AX6000 is likely better for those who prefer to set-it-and-forget-it, and who might appreciate the option of setting up threat detection on an ongoing basis. The Alien is better for power users and anyone who wants the ability to change their configuration over time — including potentially splitting up their networking hardware to use in multiple locations.

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The TourBox adds a touch of tactile control to your editing workflow in a portable package

Now is a great time to be dipping back into creative projects you’ve had on hold, including editing archives of photos you promised you’d get back to ‘later.’ There are a number of different gadgets designed to help make that process easier, but one of the more accessible is the TourBox, a $169 hardware controller that includes a number of different hardware buttons, dials and switches which can be customized via software to work with a variety of creative applications.

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Festo’s latest biomimetic robots are a flying feathered bird and ball-bottomed helper arm

You could be excused for thinking that German robotics company Festo does nothing but put together fabulous prototype robots built to resemble kangaroos, jellyfish, and other living things. They do in fact actually make real industrial robots, but it’s hard not to marvel at their biomimetic experiments; Case in point, the feathered BionicSwift and absurd BionicMobileAssistant motile arm.

Festo already has a flying bird robot — I wrote about it almost 10 years ago. They even made a flying bat as a follow-up. But the BionicSwift is more impressive than both because, in an effort to more closely resemble its avian inspiration, it flies using artificial feathers.

Image Credits: Festo

“The individual lamellae [i.e. feathers] are made of an ultralight, flexible but very robust foam and lie on top of each other like shingles. Connected to a carbon quill, they are attached to the actual hand and arm wings as in the natural model,” Festo writes in its description of the robot.

The articulating lamellae allow the wing to work like a bird’s, forming a powerful scoop on the downstroke to push against the air, but separating on the upstroke to produce less resistance. Everything is controlled on-board, including the indoor positioning system that the bird was ostensibly built to demonstrate. Flocks of BionicSwifts can fly in close quarters and avoid each other using an ultra wideband setup.

Festo’s BionicMobileAssistant seems like it would be more practical, and in a way it is, but not by much. The robot is basically an arm emerging from a wheeled base — or rather a balled one. The spherical bottom is driven by three “omniwheels,” letting it move easily in any direction while minimizing its footprint.

The hand is a showcase of modern robotic gripper design, with all kinds of state of the art tech packed in there — but the result is less than the sum of its parts. What makes a robotic hand good these days is less that it has a hundred sensors in the palm and fingers and huge motility for its thumb, but rather intelligence about what it is gripping. An unadorned pincer may be a better “hand” than one that looks like the real thing because of the software that backs it up.

Not to mention the spherical movement strategy makes for something of an unstable base. It’s telling that the robot is transporting scarves and not plates of food or parts.

Of course, it’s silly to criticize such a machine, which is aspirational rather than practical. But it’s important to understand that these fascinating creations from Festo are hints at a possible future more than anything.

iRig-Pro-Duo-1

The iRig Pro Duo I/O makes managing advanced audio workflows simple anywhere

Connecting audio interfaces to the various mobile and computing devices we use these days can be a confusing headache. The iRig Pro Duo I/O ($199.99 USD), which IK Multimedia announced this year at CES and recently released, is a great way to simplify those connections while giving you all the flexibility you need to record high-quality audio anywhere, with any device.

The basics

The iRig Pro Duo is a new addition to IK’s lineup based on the original iRig Pro, which adds a second XLR input, as the name implies. It’s still quite small and portable, fitting roughly in your hand, with built-in power optionally supplied via two AA batteries, while you can also power it via USB connection, or with an optional dedicated plug-in power adapter accessory.

Compared to desktop devices like the Scarlett Focusrite 2i2 USB audio interface that’s a popular standard among home audio enthusiasts, the iRig Pro Duo is downright tiny. It’s still beefier than the iRig Pro, of course, but it’s a perfect addition to a mobile podcaster’s kit for ultimate portability while also maintaining all the features and capabilities you need.

The iRig Pro Duo also includes balanced L/R 1/4″ output, built-in 48v phantom power for passive Macs, a 3.5 mm stereo jack for direct monitoring, 2x MIDI inputs and dedicated gain control with simple LED indicators for 48V power status and to indicate audio input peaking.

Design

Beveled edges and a slightly rounded rectangular box design might not win the iRig Pro Duo any accolades from the haute design community, but it’s a very practical form factor for this type of device. Inputs go in one side, and output comes out the other. IK Multimedia employs a unique connector for its output cables, but provides every one you could need in the box for connecting to Mac, iOS, Windows and Android devices.

The whole thing is wrapped in a matte, slightly rubberized outside surface that feels grippy and durable, while also looking good in an understated way that suits its purpose as a facilitation device. The knobs are large and easy to turn with fine-grained control, and there are pads on the underside of the Duo to help it stick a bit better to a surface like a table or countertop.

The lighting system is pretty effective when it comes to a shorthand for what’s on and working with your system, but this is one area where it might be nice to have a more comprehensive on-device audio levels display, for instance. Still, it does the job, and since you’ll likely be working with some kind of digital audio workflow software whenever you’re using it that will have a much more detailed visualizer, it’s not really that much of an issue.

Bottom line

As mentioned, iRig Pro Duo works with virtually all platforms out of the box, and has physical connector cables to ensure it can connect to just about every one as well. IK Multimedia also supplies free DAW software and effects, for all platforms — though you do have to make a choice about which one you’re most interested in since it’s limited to one piece of software per customer.

If you’re looking for a simple, painless and versatile way to either set up a way to lay down some music, or to record a solo or interview podcast, this is an option that ticks essentially all the boxes you could come up with.

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With feature updates and new accessories, the RODECaster Pro is a podcaster’s dream come true

You might have been considering — or have already started — picking up a new hobby this year, particularly one you can do at home. Podcasting seems to be a popular option, and RODE is a company that has done more to cater specifically to this audience than just about any other audio company out there. The RODECaster Pro ($599) all-in-one podcast production studio they released in 2018 is a fantastic tool for anyone looking to maximize their podcasting potential, and with amazing new firmware updates released this year, along with a host of great new accessories, it has stepped up even further.

The basics

The RODECaster Pro is a powerful production studio, but it’s not overwhelming for people who aren’t audio engineers by trade. The deck balances offering plenty of physical controls with keeping them relatively simple, giving you things like volume sliders and large pad-style buttons for top-level controls, and then putting more advanced features and tweaks behind layers of menus accessible via the large, high-resolution touchscreen for users who desire more fine-tuned manipulation.

RODECaster Pro includes four XLR inputs, each of which can provide (individually selectable) phantom power for condenser mics, along with four 1/4″ headphone outputs for corresponding monitoring. That’s great, because it means if you have guests used to recording podcasts and high-quality audio, they can listen to their own input, or you can opt to just have one producer keeping track of everything. There’s also a left and right 1/4″ audio out for a studio monitor speaker or other output, as well as a USB-C connector for plugging into a computer, and a 3.5mm in for connecting a smartphone or other external audio source. Smartphones can also be connected via Bluetooth, which is very handy for including a call-in guest via wireless.

Image Credits: Darrell Etherington

The main surface of the RODECaster Pro includes volume sliders for each available input and pre-set sound effects; volume knobs for each headphone and speaker output; buttons to activate and deactivate inputs; large buttons for playing back pre-set audio files and a large record button. There’s also a touchscreen that gives you access to menus and settings, and which also acts as a visual levels editor while recording.

RODECaster Pro is designed so that you can use it completely independently of any computer or smartphone — it has a microSD slot for recording, and you can then upload those files via either directly connecting the deck through USB, or plugging the card in to a microSD card reader and transferring your files. You can also use multitrack-to-USB or stereo USB output modes on the RODECaster Pro to effectively turn the studio hardware into a USB audio interface for your Mac or PC, letting you record with whatever digital audio production software you’d like, including streaming software.

Design

The RODECaster Pro’s design is a perfect blend of studio-quality hardware controls and simplicity, making the device accessible to amateurs and pros alike. I was up and running with the deck out of the box in just a few minutes, and without making any adjustments at all to the sound profile or settings, I had great-sounding recordings using the RODE PodMic, a $99 microphone that is optimized by RODE to work with the RODECaster Pro out of the box.

Image Credits: Darrell Etherington

All the controls are easy and intuitive to manage, and you shouldn’t need to read any instruction manuals or guides to get started. The eight-button sound effects grid is likely the most complicated part of the entire physical interface, but even the default sounds that RODE includes can be useful, and you can easily set your own via the RODECaster companion app for Mac and PC; in the box you’ll find guides you can use to overlay the buttons and label them to keep track of which is which.

The sliders are smooth and great to use, making it easy to do even, manual fade-ins and fade-outs for intro and outro or pre-recorded soundbites. Backlit keys for active/inactive inputs, mute status and the large record button mean you can tell with a quick glance what is and isn’t currently active on the track.

RODE has smartly included a locking power adapter in the box, so that you won’t find the cord accidentally yanked out in the middle of a recording. Each of the XLR inputs also includes a quick release latch for secure connections. And while the RODECaster Pro definitely takes up a lot of space with roughly the footprint of a 13-inch MacBook Pro, it’s light enough to be perfectly portable in a backpack for on-location recordings.

Image Credits: Darrell Etherington

The touchscreen display is another design highlight; it’s high-resolution, with a matte cover that makes it viewable in a wide range of light, and very responsive touch input, It’s a great way to extend the functionality of the deck through software, while still ensuring nothing feels fiddly or hard to navigate, which can be the case with hardware jog controllers like you’d find on a Zoom recorder, for instance.

Features

Balancing simplicity and power is the real reason RODECaster Pro works so well. If you’re just starting out, you can basically just begin using it out of the box without changing anything at all about how it’s set up to work. That’s especially true if you’re using any of RODE’s microphones, each of which has built-in profiles included for optimizing sound settings instantly.

I mentioned above that the RODE PodMic is optimized for use with the RODECaster Pro in this way, and the results are fantastic. If the price tag on the RODECaster Pro is a deterrent, it’s worth considering that the PodMic is a fantastically affordable dynamic podcasting mic, which produces sound way above its class when paired with the deck. So the overall cost of a RODE podcasting setup using both of these would actually be relatively reasonable versus other solutions.

Image Credits: Darrell Etherington

If you’re ready to dive in and customize sound, you can toggle features like built-in compressor, de-esser and other audio effects. You can also manually adjust each of these effects, as the release of Firmware 2.1 earlier this month lets you adjust the processing of each included sound effect through the RODECaster Pro companion app for a totally custom, unique finally sound.

The ability to pre-load and call up sound effects and other audio tracks on demand on the RODECaster Pro is another killer feature. It’s true that you could achieve a lot of this in editing post-recording, but having it all to-hand for use in live recording scenarios just feels better, and it also enables genuine interactions with your guests that wouldn’t be possible otherwise. That 2.1 firmware update also brought the ability to loop clips indefinitely, which could be great if you want to place a subtle backing track throughout your recording.

One final feature I’ll highlight because it’s fantastic, especially in a world where it might be hard to consistently get guests in-studio, is the smartphone connectivity. You can either plug in via cable, or connect via low-latency Bluetooth for terrific call-in interactivity, using whatever software you want on your smartphone.

Accessories

RODE has done a great job building out an ecosystem of accessories to further extend the capabilities of the RODECaster Pro and enhance the overall user experience. Among its recent releases, there’s the RODE PodMic, mentioned above, as well as colored cable clips that correspond to each input backlight color for easily keeping track of which hardware is which, 1/4″ to 3.5mm stereo jack adapters for using standard headphones as monitors, a TRRS-to-TRRS 3.5mm audio aux cable for smartphone connections and a USB power cable to replace the adapter for easier plug-in power on the go.

Image Credits: Darrell Etherington

The small plastic cuffs for your XLR cables are simple but smart ways of keeping track of gear, especially when everyone’s using the same mic (as they likely should be for sound consistency) — and it helps that they enhance the look of your overall setup, too. And the USB power cable in particular is a great addition to any RODECaster Pro kit that you’re intending to use outside of your own recording studio/home, as you can use it with any USB charger you have to hand — so long as it can provide 5V/2.5A output.

The real must-have accessory for the RODECaster Pro, however, is the RODE PodMic. It’s a no-fuss, well-built and durable microphone that transports well and can work flexibly with a wide range of mounting options, and in a wide variety of settings, including open air and in-studio. Yes, you can get better sound with more expensive mics, but with the PodMic, you can afford a set of four to complement the RODECaster Pro for the same price you’d pay for one higher-end microphone, and most people won’t notice the audio quality difference for their podcasting needs.

Image Credits: Darrell Etherington

Bottom line

The RODECaster Pro is a fantastic way to upgrade your at-home podcasting game — and a perfect way to take the show on the road once you’re able to do so. Its high-quality hardware controls, combined with smart, sophisticated software that has improved with consistent RODE firmware updates to address user feedback over time, are a winning combo for amateurs, pros and anyone along the spectrum in between.